Vol. 4 This Modern Age - The History of Jazz
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Vol. 4 This Modern Age - The History of Jazz
- by
- George & Ira Gershwin; Stan Kenton; John Guarnieri; Will Bradley; Baby Lovett; Livingston; Jay McShann's Kansas City Stompers; Denzil Best; Ralph Yaw; Efferge Ware; Arthur Rollini; Vic Dickenson; Hank D'Amico; Bruce Hudson; Malneck; Oscar Pettiford; Oliver Todd; Buster & Bennie Moten; Coleman Hawinks' Band; Fields; Claiborne Graves; Boots Mussulli; Tommy Douglas; Eddie Miller; Stan Wrightsman; Stan Kenton's Orchestra; Eddie Miller's Orchestra; "Sir Charles" Thompson; Kahn; Earl Hines; Howard McGhee; Bobby Sherwood's Orchestra; Coleman Hawkins; Coleman Hawkins' Band; Billy Butterfield's Orchestra; Billy Butterfield; Bix Beiderbecke; Jay McShann; McHugh; Allan Reuss; Walter Page
- Publication date
- 1945
- Digitizing sponsor
- Kahle/Austin Foundation
- Contributor
- Internet Archive
- Language
- English
Performer: Coleman Hawinks' Band; Coleman Hawkins; Vic Dickenson; Allan Reuss; Howard McGhee; "Sir Charles" Thompson; Oscar Pettiford; Denzil Best; Coleman Hawkins' Band; Billy Butterfield's Orchestra; Billy Butterfield; Hank D'Amico; John Guarnieri; Will Bradley; Arthur Rollini; Bobby Sherwood's Orchestra; Jay McShann's Kansas City Stompers; Jay McShann; Oliver Todd; Claiborne Graves; Efferge Ware; Walter Page; Baby Lovett; Tommy Douglas; Stan Kenton's Orchestra; Stan Kenton; Boots Mussulli; Eddie Miller's Orchestra; Eddie Miller; Stan Wrightsman; Bruce Hudson
Writer: Coleman Hawkins; Kahn; Malneck; Livingston; George & Ira Gershwin; Bix Beiderbecke; Buster & Bennie Moten; Fields; McHugh; Ralph Yaw; Earl Hines
The History of Jazz - 31; Instrumental; The History of Jazz - 32; Instrumental; The History of Jazz - 33; Instrumental; The History of Jazz - 34; Instrumental; The History of Jazz - 37; Instrumental; The History of Jazz - 38; Instrumental; The History of Jazz - 39; Instrumental; The History of Jazz - 40; Instrumental.
Digitized at 78 revolutions per minute. Four stylii were used to transfer these records. They are 3.5 mil truncated eliptical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. These were recorded flat and then also equalized with Turnover: 400.0, Rolloff: -12.0.
The preferred version suggested by an audio engineer at George Blood, L.P. is the equalized version recorded with the 3.5 mil truncated eliptical stylus, and has been copied to have the more friendly filename.
Matrix number: CAP-585-2B; CAP-586-3B; CAP-376-2B-1; 499-2A; F-345-B-RE1; CAP-F-348-A-RE1; CAP-526-2A; CAP-204-A
Catalog number: 10036; 10036; 10037; 10037; 10039; 10039; 10040; 10040
Other IDs from the record include: (345-B-Re-1); (204-A); (348-A-Re-1); (586-3B); Album CE 19; (499-2A); (526-2A); (376-2B1); (585-2B)
Related Music question-dark
Versions - Different performances of the song by the same artist
Compilations - Other albums which feature this performance of the song
Covers - Performances of a song with the same name by different artists
Song Title | Versions | Compilations | Covers |
---|---|---|---|
Hollywood Stampede - Coleman Hawinks' Band;Coleman Hawkins;Vic Dickenson;Allan Reuss;Howard McGhee;"Sir Charles" Thompson;Oscar Pettiford;Denzil Best | |||
I'm Thru With Love - Coleman Hawkins' Band;Kahn;Malneck;Livingston;Coleman Hawkins;Vic Dickenson;Allan Reuss;"Sir Charles" Thompson;Oscar Pettiford;Denzil Best | |||
Oh Lady Be Good - Billy Butterfield's Orchestra;George & Ira Gershwin;Billy Butterfield;Hank D'Amico;John Guarnieri;Will Bradley;Arthur Rollini | |||
In the Dark - Bobby Sherwood's Orchestra;Bix Beiderbecke | |||
Moten Swing - Jay McShann's Kansas City Stompers;Buster & Bennie Moten;Jay McShann;Oliver Todd;Claiborne Graves;Efferge Ware;Walter Page;Baby Lovett | |||
On The Sunny Side Of The Street - Jay McShann's Kansas City Stompers;Fields;McHugh;Jay McShann;Oliver Todd;Tommy Douglas;Claiborne Graves;Efferge Ware;Walter Page;Baby Lovett | |||
Balboa Bash - Stan Kenton's Orchestra;Ralph Yaw;Stan Kenton;Boots Mussulli | |||
Our Monday Date - Eddie Miller's Orchestra;Earl Hines;Eddie Miller;Stan Wrightsman;Bruce Hudson |
- Addeddate
- 2018-01-23 12:19:41
- Boxid
- IA1633225
IA1609301
IA1485315
- Collection-catalog-number
- GBIA0032270C
GBIA0032270G
GBIA0032270A
GBIA0032270D
GBIA0032270J
GBIA0032270H
GBIA0032270B
GBIA0032270I
- Condition
- Good
- External-identifier
-
urn:matrix_no:CAP-204-A
urn:matrix_no:F-345-B-RE1
urn:matrix_no:CAP-F-348-A-RE1
urn:matrix_no:CAP-376-2B-1
urn:matrix_no:CAP-585-2B
urn:matrix_no:CAP-586-3B
urn:matrix_no:CAP-526-2A
urn:matrix_no:499-2A
- External_metadata_update
- 2019-03-23T11:05:26Z
- Foldoutcount
- 0
- Genre
- Jazz
- Identifier
- 78_im-thru-with-love_coleman-hawinks-band-coleman-hawkins-vic-dickenson-allan-reuss_gbia0032270
- Identifier-ark
- ark:/13960/s2t507zfd6h
- Location
- USA
- Ocr
- tesseract 5.0.0-rc1-12-g88b4
- Ocr_detected_lang
- en
- Ocr_detected_lang_conf
- 1.0000
- Ocr_detected_script
- Cyrillic
- Ocr_detected_script_conf
- 0.6233
- Ocr_module_version
- 0.0.14
- Ocr_parameters
- -l eng
- Pages
- 11
- Pdf_module_version
- 0.0.16
- Run time
- 0:24:29
- Scanner
- Internet Archive Python library 1.7.3
- Scanningcenter
- George Blood, L.P.
- Size
- 10.0
- Source
- 78
- User_cleaned
- Shaun Kinney
- User_metadataentered
- Perry Longo
- User_transferred
- Perry Longo
- Year
- 1945
comment
Reviews
Subject: fixed
Date: 1945
Thanks Osamu!
Subject: Date Matched
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